Leanne Haas

 Leanne Haas uncropped photo

Windward Review are honored to highlight Volume 24: Power, Presence, Perspective (2026) contributor Leanne Haas, a marketing professional and TAMU-CC alumni. We were pleased to accept Haas's uniquely introspective poem, "Stone's Throw", and wanted to learn more about her writing style and motivation. 

Haas shares that she utilizes writing and creativity heavily in her marketing career, "But the poetry and prose I write at 3 AM, when my thoughts are too loud to hold, fuel my love for creative expression". She also told us that stories shared - through writing or out loud - become a part of our own, protected stories. Overall, stories and creative expression connect us all through an "invisible thread".

"I’m interested in tracing that thread to understand how meaning forms in everyday life. Offering my inner thoughts as an author feels like weaving my thread into something larger that we all share." - Leanne Haas

Notes of Praise for Leanne Haas

The connective tissue that wildly creative writing forms motivates Haas to explore the "seemingly mundane experiences that shape us", she shares. Themes that emerge in Haas's work include religion and gender. 

Some other notable features of "Stone's Throw" include its organic, surreal imagery and its haunting use of present tense voice. 

"We yank crayfish from mud holes,
wondering how they made it off Noah’s Ark

and into the church's boiling pot for Friday lunch. .../
Sins of girls stick like gum on shoes.
We don’t serve at the altar with the boys and the priest,.../

But who gives more of their body and blood than a woman?"
- Selected lines from 'Stone's Throw' by Leanne Haas

 

Bandera, United States tx Braden-ollum

Photo of Bandera, TX, United States by Braden Collum.

Her works can be found in the Houston Chronicle, Porter House Review, RED INK Journal, and Pour Vida Zine, among others. She loves exploring the outdoors and nature, practicing and teaching yoga, raising her two sweet pups, and being a closeted bedroom musician. 

Gist will be published in Volume 22: Revolution which will be available October 29th, 2024. Enjoy a sample of her breathtaking poetry below.

Coyolxauhqui Takes Back Her Dance  

Oh! Great Mother  
they are staring at me in the Aztec Templo Mayor en Tenochtitlan.  
 
I ring my coyolli bells | enter their dreams | carry their wishes up to the Milky Way  
they call me evil sister | ruthless one | defeated one  

but they are staring at my dance | down the steps watching  
my hips | belly | breasts | shoulders shapeshift   
they enter conocimiento | initiating   
healing trabajos with   
each eye on me  

in my wounds  
they have fallen  
under my serpent spell 

Palo Duro Canyon outside Amarillo, TX, July 2022 by K. Mitch Hodge

soon they will enter the night | search  
the skies | mark calendars | count days  
holler coyote gritos | name my moons | purr canciones  
for planting | harvest | talk spirits  
dance naked with me  
align the blood of their   
women with me  
enter my   
body mind  
soul   
  
forever  
mesmerized little   
luna-souls 

Photo: Palo Duro Canyon outside Amarillo, TX, July 2022 by K. Mitch Hodge.
 

Mitztemoa Noyollo³ the song of tonalli, teyolía, tinnitus, and ihiyotl  

I will close this circle  
with a remedy   
for the ringing inside me  
  
Grito: Mitztemoa Noyollo!  
  
my head – my heart – my liver  
my lost luna spirit soul   
calls out to you  
across the cosmos  
  
Grito: Mitztemoa Noyollo!  
  
time is a spell  
I will learn to listen  
I will learn to see  
I will dance with my body  
to escape it  
  
Grito: Mitztemoa Noyollo!  
  
Can you feel me pull your heartstrings?  
I will shapeshift until you find me  
I will search the cenotes and dark caves  
Can you heal me with your heartstrings?  
  
Grito: Mitztemoa Noyollo!  

If I don’t find your heart today  

Grito: Mitztemoa Noyollo!  

I will find your heart tomorrow  

³Nahuatl for “My heart is looking for your heart”.    

Guadalupe Mountains -leonardo-corral-2020

 Photo of Guadalupe Mountains by Leonardo Corral, 2020.